![]() ![]() And that different kind of connection that binds us took us 114 performances to get because it’s deeper. When you see two people together, there’s more that connects them other than sex and feeling like they’re going to be skipping down the street at the end of the day. Oftentimes, when I see marriages on screen, it’s, “We want to cast someone who you’re attracted to and have a sexual tension with.” And that’s part of marriage, but it’s more than that. Maybe there’s a little semblance of frustration - the gray in her hair. I’m going to give myself to him anyway.” That’s Rose. You look over at your partner sometimes and you think, “Why can’t you be different? What did I get myself into?” And the next moment you say, “But I love him. If you don’t believe that, who cares? You’d be like, “Oh yeah, I could see that coming.” Without the joy, there’s no pain.ĭavis: I do believe what happens in marriages is you see the cracks. You’ve got to believe these two people love each other. ![]() ![]() He’s not saying that thinking about softening the blow for what’s coming later. I love her so much … I done run out of ways of loving her.” Washington: He says, “See this woman, Bono? I love this woman. I wanted to present a woman who loved her husband and really give a portrait of a marriage that’s working. And I’m telling you, the biggest issue I have - and the biggest challenge took me 114 performances to get over - is that I didn’t want to play Rose as someone who felt swallowed up by her life. ![]()
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